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For those who adapt literature into scripts, this is a how-to guide that illuminates the process of creating a stageworthy play. The book describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. The author offers students in theater, literary studies, and creative writing a guide on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. The book defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.--description adapted from publisher's website.
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Drama --- Drama --- Stage adaptations
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"Contemporary theatrical productions as diverse in form as experimental performance, new writing, West End drama, musicals and live art demonstrate a recurring fascination with adapting existing works by other artists, writers, filmmakers and stage practitioners. Featuring seventeen interviews with internationally-renowned theatre and performance artists, Theatre and Adaptation provides an exceptionally rich study of the variety of work developed in recent years. First-hand accounts illuminate a diverse range of approaches to stage adaptation, ranging from playwriting to directing, Javanese puppetry to British children's theatre, and feminist performance to Japanese Noh"--Publisher's website.
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"In this book, dramaturg Tom Bryant shares with readers and writers his insights into the process of historical adaptation. The book uses case studies from Bryant's collaborations with playwrights on successful Broadway and regional productions to work through the fundamental questions of historical adaptation: Why do you want to adapt history? For what purpose? What is your approach? How does that approach affect the portrayal of events? How does that choice by the playwright and the dramaturg then determine the framing and focus in the story, the selection of the key event, and the choice of characters? What is the meaning you want the audience to take away from the events? How is your adaptation of past events relevant to contemporary times? In addition, the author explores the moral and ethical responsibilities involved for the dramaturg and the playwright in the adaptation of history and how issues of diversity, equity and inclusion impact the presentation of historical material. This is an indispensable resource for anyone whose craft brings them to the task of adapting historical material for the stage - in postgraduate work, teaching or professional practice"--
Historical drama --- Stage adaptations --- Drama
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English drama --- Stage adaptations --- Operas --- Théâtre anglais --- Adaptations scéniques --- Opéras --- Civilization, Modern --- Operas. --- Stage adaptations. --- Drama. --- Théâtre anglais --- Adaptations scéniques --- Opéras
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Collection of site specific playscripts by contemporary playwright, Tom Swift
Stage adaptations. --- Adaptations, Stage --- Drama --- Literature --- Authors and theater --- Technique --- Adaptations --- Ireland
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